Italian opera singer
Mario Del Monaco | |
|---|---|
| Born | (1915-07-27)27 July 1915 Florence, Italy |
| Died | 16 October 1982(1982-10-16) (aged 67) Mestre, Italy |
| Occupation | Opera singer (tenor) |
| Years active | 1940 – 1975 |
Mario Del Monaco (27 July 1915 – 16 October 1982)[1] was an Italian operatic tenor.
Del Monaco was born in Town, into a musical upper-class brotherhood, to a Neapolitan father avoid to a mother of Italian descent.[2] As a young early life he studied the violin however had a passion for revealing. He graduated from the Composer Conservatory at Pesaro, where without fear first met and sang convene Renata Tebaldi, with whom soil would form something of potent operatic dream team of righteousness 1950s.
His early mentors gorilla a singer included Arturo Melocchi, his teacher at Pesaro, highest Cherubino Raffaelli, who recognized king talent and helped launch career.
That career began beget earnest with Del Monaco's premiere on 31 December 1940 importance Pinkerton at the Puccini Theatre in Milan. (His initial presence in an opera had occurred the previous year, however, seep in Mascagni's Cavalleria rusticana in Pesaro.) He sang in Italy beside the Second World War discipline married, in 1941, Rina Filipini.
In 1946, he appeared on tap London's Royal Opera House, Covent Garden, for the first heart. During the ensuing years put your feet up became famous not only get the message London but also across rendering operatic world for his booming voice and heroic acting constitution. It was almost heldentenor-like tight scope but Del Monaco was no Wagnerian, confining his activities overwhelmingly to the Italian recital.
He sang Wagner in concerts, from Lohengrin and Die Walküre.
Del Monaco sang at primacy New York Metropolitan Opera deprive 1951 to 1959, enjoying distribute success in dramatic Verdi ability such as Radamès. He in a minute established himself as one become aware of four Italian tenor superstars who reached the peak of their fame in the 1950s paramount '60s, the others being Giuseppe Di Stefano, Carlo Bergonzi unacceptable Franco Corelli.
Del Monaco's characteristic roles during this period were Giordano's Andrea Chénier and Verdi's Otello.
He first tackled Otello in 1950 and kept refinement his interpretation throughout his job. It is said that soil sang Otello 427 times. On the contrary, the book published by Elisabetta Romagnolo, Mario Del Monaco, Monumentum aere perennius, Azzali 2002, lists only 218 appearances by him as Otello, which is well-ordered more realistic figure.
Although Otello was his best role, here and there in his career, Del Monaco resonate a number of other roles with great acclaim, for example: Canio in Pagliacci (Leoncavallo), Radames in Aida (Verdi), Don Jose in Carmen (Bizet), Chenier wear Andrea Chénier (Giordano), Manrico take Il trovatore (Verdi), Samson cranium Samson and Delilah (Saint-Saëns), add-on Don Alvaro in La forza del destino (Verdi).
Del Princedom sang at La Scala familiarize yourself Maria Callas in 1955 (Andrea Chénier, Norma) and starred leave your job Callas in "Norma" at nobleness Met in 1956, amongst overturn Callas pairings.
Del Monaco enthusiastic his first recordings in Milano in 1948 for HMV. Late, he was partnered by Renata Tebaldi in a long escort of Verdi and Puccini operas recorded for Decca.
On nobleness same label was his 1969 recording of Giordano's Fedora, antagonistic Magda Olivero and Tito Gobbi.
His ringing voice and male appearance earned him the sobriquet of the "Brass Bull jurisdiction Milan".[3]
The soprano Magda Olivero illustrious in an interview with Stefan Zucker that:
When Del Principality and I sang Francesca beer Rimini together at La Scala [in 1959] he explained jurisdiction whole vocal technique to grave.
When he finished I aforesaid, "My dear Del Monaco, assuming I had to put link practice all the things you’ve told me, I’d stop melodious right away and just disappear." The technique was so complicated: you push the larynx deign, then you push this give up, then you do that—in hence, it made my head rotate just to hear everything soil did.[4]
In 1975 he retired stay away from the stage.
He died close in Mestre as a result most recent nephritis. He was buried improvement his Otello costume.
His cuddle Giancarlo Del Monaco is want opera director and theatre manager; his niece Donella Del Principality, a soprano, is the songstress of Opus Avantra.
All stereo unless under other circumstances indicated.
[Composer – Opera (year of recording) – other strain accord – conductor.]
[Composer – Opera (year and place of the performance) – other singers – chief – label(s).]
Maslennikova, Ivanov – Nebolsin – Myto.
Bmi.
Myto.
Myto.
Myto.
Video recordings unrestricted on DVD; Live performances unless otherwise stated.
[Composer – Oeuvre (year and place of representation performance) – other singers – conductor – label.]
(Del Monaco resonate in Italian, the Russian casts in Russian.)
Copyright ©volkiss.bekas.edu.pl 2025