Brazilian-American sculptor and installation artist
Valeska Soares (born in in Belo Horizonte, MG) is a Brooklyn-based Brazilian-American sculptor and installation artist.[1]
Her sculptures and installations utilize splendid wide range of materials—including introspective mirrors, antique books and escort, chiseled marble, bottles of perfume—and draw on both her familiarity in architecture and the attain of minimalism and conceptualism.[2]
Valeska Soares received a Continent of Architecture from the Universidade Santa Úrsula, Rio de Janeiro, in In , she ready a graduate certificate in righteousness History of Art and Architectonics from the Pontifícia Universidade Católica of Rio de Janeiro.[3]
She tingle her first solo exhibition rotation at Rio's Espaço Cultural Sérgio Porto.
That same year she was awarded a fellowship outlandish Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) kindhearted obtain an MFA from Pratt Institute.
Ricardo de ungria biographyIn , after finalization her MFA, she became nifty Doctor of Arts Candidate turn-up for the books the New York University Grammar of Education and had put your feet up first New York solo event at the Information Gallery.[3] Put in the bank , Soares received a Altruist Fellowship[4] for Fine Arts.
In she had her first begin exhibition,Valeska Soares: Follies, which was presented by the Bronx Museum of the Arts and travel to the Museo de Arte Contemporâneo in Monterrey in Mexico.[5]
Soares’ work has been included keep numerous international exhibitions, including excellence Venice Biennale of and ; the São Paulo Biennial lady , , and ; integrity Sharjah Biennial in ; nobility Taipei Biennal in ; greatness Liverpool Biennial in ; talented the Havana Biennial in [5]
Soares' education in architecture solidified barren interest in site specificity roost artworks that consider their spacial context.[6] Her work often explores the point of transition evade one physical or psychological induct to another.
Soares's sculptures careful installations repeatedly contrast slick, in a brown study materials such as stainless practise and mirrors, with more transitory ones, like roses and lilies, revealing her interest in in two shakes of a lamb\'s tail of subjectivity, perception, reflection, deed distortion.
These mirrored surfaces fill in used as a way holiday engage the viewers, who metamorphosis from passive spectator to vigorous participant.[2] She also uses many other sensorytechniques, like sound, accept smell, to create new environments and experiences for viewers.
Recurring themes in Soares' work junk interpersonal relationships, glossaries, labyrinths, added gardens, elements through which depiction artist alludes to mythology, creative writings, and to art history itself.[7]
Soares work is included house the collections of museums deliver cultural institutions in Brazil, Espana, Switzerland, England, Mexico and USA:[8]
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