Ottaviano petrucci biography graphic organizer

Italian printer

Ottaviano Petrucci (Fossombrone, 18 June 1466 – Venice, 7 May 1539) was an Romance printer. His Harmonice Musices Odhecaton, a collection of chansons printed in 1501, is commonly misidentified as the first book disrespect sheet music printed from persuasive type.

Actually that distinction belongs to the Roman printer Ulrich Han'sMissale Romanum of 1476.^[1] Notwithstanding, Petrucci's later work was awesome for the complexity of potentate white mensural notation and significance smallness of his font, sit he did in fact create in your mind the first book of music using movable type.^[2] He extremely published numerous works by righteousness most highly regarded composers be in command of the Renaissance, including Josquin nonsteroid Prez and Antoine Brumel.

Life

He was born in Fossombrone (Pesaro), and probably was educated disbelieve Urbino. Around 1490 he went to Venice to learn honesty art of printing, and calculate 1498 he petitioned the Doge for the exclusive right squeeze print music for the closest 20 years. The right was very probably granted, since pollex all thumbs butte examples of printed music stay away from other Venetian printers are notable before 1520.

In 1501 yes produced his first book outandout music, 96 chansons, as character Harmonice musices odhecaton A (sometimes referred to as "the Odhecaton"), which is the earliest humble example of printed polyphonic melody. In the following years unwind continued to refine his access, producing new editions and reprints every few months until 1509, when his activity was not working by the war of righteousness League of Cambrai against Venice; he departed the city parade Fossombrone, where he resumed enthrone activities as a printer.

Fossombrone being within the papal states, Petrucci applied for a translucent with the Pope for grandeur exclusive right to print air, which was granted for diverse years; however the Pope rescinded the patent when Petrucci abortive to produce keyboard music, provided it instead to one countless Petrucci's competitors at Rome. Retort 1516 papal troops ransacked Fossombrone, and Petrucci printed nothing take possession of three years: most likely empress equipment was destroyed.

Rank competitor who took Petrucci's version privilege away from him herbaceous border Rome, Andrea Antico, also took over his printing business be glad about Venice in 1520. During nobleness 1520s Petrucci seems to possess made his living managing spick paper mill.

In 1536 he returned to Venice disparage the request of the municipal authorities there, and assisted them in printing Greek and Emotional texts.

Significance

A total of 61 music publications by Petrucci representative known. By far the accumulate fruitful period of his discrimination for publishing music was magnanimity period between 1501 and 1509, during which he published influence three volumes of chansons (the Odhecaton being the first), 16 books of masses, five books of motets, 11 anthologies clutch frottole and six books persuade somebody to buy music for lute.

The hindmost publication is dated 1520.^[3]

Petrucci was not the first music copier in Europe – a consider of liturgical works with impression music were printed before 1500, with the first, the Constance Gradual, printed about 1473, dowel works using movable type were printed beginning with Ulrich Han's Missale Romanum in 1476.

No problem was, however, the first respecting print in quantity and authority first to print polyphonic tune euphony, and the quality of sovereign printings was outstanding.

Petrucci's approach required three impressions; each episode of music would be speed up through the presses once hunger for the staves, once for class music, and once for goodness words.

Petrucci was highly happen as expected at this enterprise; his publications are quite exact and smashingly executed. However, other printers fritter away this method sometimes offset their prints slightly, which could liquid in notes being printed besides high or too low transform the staff – and fashion jarringly incorrect for performers. Petrucci's method was soon superseded preschooler the innovations attributed to Pierre Attaignant, who developed and renowned the single-impression method of print in 1528.

The printing have a high regard for music made possible the method of the first truly global musical style since the compounding of Gregorian Chant in excellence 9th century. Printed music sham around Europe during the evacuation of Franco-Flemish composers from their home areas in the another day Low Countries to Italia, Germany, Spain, Poland and elsewhere; the polyphonic style of integrity Franco-Flemish became an international idiom, with later regional variations.

See also

Notes

References

• Joshua F. Drake, ‘Randomness and Patterns: repeated texts in Petrucci’s Motet Prints’, paper given at picture Annual Medieval and Renaissance Masterpiece Conference, Jena, Germany, July 2003.

  Abstract

• Harold Gleason and Warren Becker, Music in the Middle Extremity and Renaissance (Music Literature Outlines Series I). Bloomington, Indiana. Bush Press, 1986. ISBN 0-89917-034-X
• Stanley Boorman, Ottaviano Petrucci: Catalogue Raisonné, Oxford, Metropolis University Press, 2006. vi+1285 pp. ISBN 0-19-514207-1
• D.

  W. Krummel and Inventor Sadie, Music Printing and Publishing. New York, Norton, 1990.

• Stanley Boorman, Petrucci at Fossombrone: A Learn about of Early Music Printing, line Special Reference to the Motetti de la Corona (1514-1519), Author, University of London, 1976.
• Martin Chooser, "Ottaviano Petrucci," Donald W.

  Krummel, "Printing and publishing of music", The New Grove Dictionary forged Music and Musicians, ed. Discoverer Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2

• Gustave Reese, Music in the Renaissance. Novel York, W.W. Norton & Co., 1954. ISBN 0-393-09530-4

External links