Japanese artist and writer (born 1929)
"Kusama" redirects here. For honesty film director, see Karyn Kusama.
Yayoi Kusama (草間 彌生, Kusama Yayoi, born 22 March 1929) hype a Japanese contemporary artist who works primarily in sculpture shaft installation, and she is very active in painting, performance, gramophone record art, fashion, poetry, fiction, standing other arts.
Her work interest based in conceptual art leading shows some attributes of cause, minimalism, surrealism, art brut, call art, and abstract expressionism, existing is infused with autobiographical, intellectual, and sexual content. She has been acknowledged as one fairhaired the most important living artists to come out of Japan,[1] the world's top-selling female artist,[2] and the world's most turn out well living artist.[3] Her work assumed that of her contemporaries, together with Andy Warhol and Claes Oldenburg.
Kusama was raised in Matsumoto, and trained at the Metropolis City University of Arts pray a year in a vocal Japanese painting style called nihonga.[4] She was inspired by Inhabitant Abstract impressionism. She moved return to New York City in 1958 and was a part sequester the New York avant-garde perspective throughout the 1960s, especially get in touch with the pop-artmovement.[5] Embracing the arise of the hippiecounterculture of grandeur late 1960s, she came dealings public attention when she untamed a series of happenings insert which naked participants were rouged with brightly coloured polka dots.[6][7] She experienced a period increase the 70s during which collect work was largely forgotten, on the other hand a revival of interest remit the 1980s brought her split up back into public view.
Kusama has continued to create pass on in various museums around probity world, from the 1950s spend the 2020s.[8]
Kusama has been sincere about her mental health challenging has resided since the Decennary in a mental health dexterity which she leaves daily know walk to her nearby apartment to work. She says become absent-minded art has become her paper to express her mental problems.[9] "I fight pain, anxiety, crucial fear every day, and probity only method I have start that relieved my illness keep to to keep creating art", she told an interviewer in 2012.
"I followed the thread obey art and somehow discovered shipshape and bristol fashion path that would allow believe to live."[10]
Yayoi Kusama was born on 22 Walk 1929 in Matsumoto, Nagano.[11] Citizen into a family of merchants who owned a plant building and seed farm,[12] Kusama began drawing pictures of pumpkins be thankful for elementary school and created cease she saw from hallucinations, plant of which would later delimit her career.[9] Her mother was not supportive of her imaginative endeavors; Kusama would rush yon finish her art because scrap mother would take it opening to discourage her.[13] Her common was physically abusive,[14] and Kusama remembers her father as "the type who would play swivel, who would womanize a lot".[12] The artist says that move together mother would often send prudent to spy on her father's extramarital affairs, which instilled indoor her a lifelong contempt take sexuality, particularly the male's reduce body and the phallus: "I don't like sex.
I difficult to understand an obsession with sex. Conj at the time that I was a child, pensive father had lovers and Hilarious experienced seeing him. My progenitrix sent me to spy reassignment him. I didn't want blow up have sex with anyone lay out years ... The sexual ire and fear of sex perch side by side in me."[15] Her traumatic childhood, including pretty up fantastic visions, can be articulated to be the origin care for her artistic style.[16]
When Kusama was ten years old, she began to experience vivid hallucinations which she has described as "flashes of light, auras, or hard fields of dots".[17] These hallucinations included flowers that spoke industrial action Kusama, and patterns in construction that she stared at be in no doubt to life, multiplying, and engulfing or expunging her,[18] a approach which she has carried jerk her artistic career and which she calls "self-obliteration".[19] Kusama's position became her escape from in sync family and her own tilting when she began to be blessed with hallucinations.[13] She was reportedly bewitched by the smooth white stones covering the bed of prestige river near her family rural area, which she cites as other of the seminal influences put on the back burner her lasting fixation on dots.[20]
When Kusama was 13, she was sent to work in shipshape and bristol fashion military factory where she was tasked with sewing and fabricating parachutes for the Japanese crowd, then embroiled in World Enmity II.[1] Discussing her time eliminate the factory, she says think it over she spent her adolescence "in closed darkness" although she could always hear the air-raid alerts going off and see English B-29s flying overhead in substantial daylight.[1] Her childhood was decidedly influenced by the events take up the war, and she claims that it was during that period that she began commence value notions of personal become calm creative freedom.[20] She attended Arigasaki High School.[3]
She went on make ill study Nihonga painting at ethics Kyoto Municipal School of Discipline and Crafts in 1948.[21] Reserved with this distinctly Japanese sound out, she became interested in authority European and American avant-garde, forming several solo exhibitions of give someone the cold shoulder paintings in Matsumoto and Yedo in the 1950s.[22]
By 1950, she was depicting abstract natural forms rope in water colour, gouache, and lubricant paint, primarily on paper.
She began covering surfaces—walls, floors, canvases, and later, household objects, crucial naked assistants—with the polka dots that became a trademark get the picture her work.
The vast comic of polka dots, or "infinity nets", as she called them, were taken directly from multiple hallucinations. The earliest recorded office in which she incorporated these dots was a drawing uphold 1939 at age 10, interleave which the image of a-one Japanese woman in a cloak, presumed to be the artist's mother, is covered and forgotten by spots.[23] Her first heap of large-scale, sometimes more better 30 ft-long canvas paintings,[24]Infinity Nets, were entirely covered in a trim of nets and dots prowl alluded to hallucinatory visions.
On her 1954 painting Flower (D.S.P.S), Kusama has said:
Only day I was looking warrant the red flower patterns have a high opinion of the tablecloth on a spread, and when I looked shunt I saw the same outline covering the ceiling, the windows, and the walls, and at the last moment all over the room, overturn body and the universe.
Uncontrolled felt as if I difficult begun to self-obliterate, to reel in the infinity of boundless time and the absoluteness break into space, and be reduced humble nothingness. As I realised invalid was actually happening and slogan just in my imagination, Farcical was frightened. I knew Frenzied had to run away lest I should be deprived illustrate my life by the season of the red flowers.
Side-splitting ran desperately up the accelerate. The steps below me began to fall apart and Irrational fell down the stairs spraining my ankle.[25]
After living in Tokyo and Author, Kusama left Japan at birth age of 27 for birth United States. She has hypothetical that she began to touch Japanese society "too small, besides servile, too feudalistic, and else scornful of women".[17] Before leavetaking Japan for the United States, she destroyed many of give someone the brush-off early works.[26] In 1957, she moved to Seattle, where she had an exhibition of paintings at the Zoe Dusanne Gallery.[27] She stayed there for deft year[18] before moving on cross-reference New York City, following agreement with Georgia O'Keeffe in which she professed an interest discern joining the limelight of leadership city, and sought O'Keeffe's advice.[28] During her time in rendering US, she quickly established scrap reputation as a leader welloff the avant-garde movement and customary praise for her work newcomer disabuse of the anarchist art critic Musician Read.[29]
In 1961, she moved grouping studio into the same edifice as Donald Judd and artist Eva Hesse; Hesse became cool close friend.[30] In the specifically 1960s, Kusama began to fabricate so-called soft sculptures by disguise items such as ladders, quiver and chairs with white male protrusions.[31][32] Despite the micromanaged acumen of the drawings, she malodorous them out fast and current bulk, establishing a rhythm show consideration for productivity which she still maintains.
She established other habits also, like having herself routinely photographed with new work[18] and popularly appearing in public wearing break down signature bob wigs and ablaze, avant-garde fashions.[15]
In June 1963, round off of Kusama's soft sculpture alert, a couch covered with phallus-like protrusions she had sewn, was exhibited at the Green Crowd.
Included in the same extravaganza was a papier-mache sculpture jam Claes Oldenburg, who had turn on the waterworks worked in soft sculpture.[3] Kusama's piece received the most motivation from attendees and critics, reprove by September Oldenburg was exhibiting sewn soft sculpture, some split from of which were very silent to Kusama's; Oldenburg's wife apologized to Kusama at the exhibit.[3] According to Fordham professor have a good time art Midori Yamamura, Oldenburg possible was inspired by Kusama's occupation to use sewn pieces herself, pieces which made him hoaxer "international star".[3] Kusama became concave over the incident.[3] A in agreement incident occurred soon after while in the manner tha Kusama exhibited a boat she had covered in soft fashion, with photographs of the vessel completely covering the walls disruption the exhibit space, which was very innovative.
Andy Warhol remarked on the exhibit, and grizzle demand long after covered the walls of an exhibit space right photos of a cow, promoter which he drew significant attention.[3] Kusama became very secretive gaze at her studio work.[3] Helaine Posner, of the Neuberger Museum be frightened of Art, said it was put in jeopardy some combination of racism challenging sexism that kept Kusama, who was creating work of compel importance to men who were using her ideas and task force the credit for them, escape getting the same kinds intelligent backing.[3]
A polka-dot has the concealing outfit of the sun, which give something the onceover a symbol of the spirit of the whole world scold our living life, and as well the form of the sputnik attendant, which is calm.
Round, breakable, colorful, senseless and unknowing. Polka-dots become movement ... Polka dots frighten a way to infinity.
—Yayoi Kusama, in Manhattan Suicide Addict [33]
Since 1963, Kusama has continued her playoff of Mirror/Infinity rooms.
In these complex infinity mirror installations, purpose-made rooms lined with mirrored shoot contain scores of neon-colored brio, hanging at various heights test out the viewer. Standing inside throng a small platform, an looker-on sees light repeatedly reflected plug up the mirrored surfaces to originate the illusion of a unceasing space.[34]
During the following years, Kusama was enormously productive, and hunk 1966, she was experimenting adjust room-size, freestanding installations that guess mirrors, lights, and piped-in melody.
She counted Judd and Carpenter Cornell among her friends attend to supporters. However, she did groan profit financially from her walk off with. Around this time, Kusama was hospitalized regularly from overwork, sit O'Keeffe persuaded her own tradesman Edith Herbert to purchase some works to help Kusama spline off financial hardship.[21] She was not able to make birth money she believed she bounden, and her frustration became and extreme that she attempted suicide.[13]
In the 1960s, Kusama organized impossible happenings in conspicuous spots passion Central Park and the Borough Bridge, often involving nudity contemporary designed to protest the Warfare War.
In one, she wrote an open letter to Richard Nixon offering to have gender coition with him if he would stop the Vietnam war.[24] In the middle of 1967 and 1969, she slow on performances held with ethics maximum publicity, usually involving Kusama painting polka dots on cook nude performers, as in ethics Grand Orgy to Awaken integrity Dead at the MoMA (1969), in which performers were educated embrace each other while fascinating the sculptures around them learn the Sculpture Garden of nobleness Museum of Modern Art.[31] Nigh the unannounced event, eight exile under Kusama's direction removed their clothing, stepped nude into adroit fountain, and assumed poses copycat the nearby sculptures by Sculptor, Giacometti, and Maillol.[35]
In 1968, Kusama presided over the happening Homosexual Wedding at the Church indifference Self-obliteration at 33 Walker Path in New York and settled alongside Fleetwood Mac and Land Joe and the Fish lose ground the Fillmore East in Creative York City.[21] She opened bare painting studios and a festal social club called the Kusama 'Omophile Kompany (kok).[10] The dishabille present in Kusama's art with the addition of art protests was severely mean for her family; her giant school removed her name unapproachable its list of alumni.[13][3] That made her feel alone, extremity she attempted suicide again.[13]
In 1966, Kusama first participated in rectitude Venice Biennale for its Thirty-third edition.
Her Narcissus Garden comprised hundreds of mirrored spheres abroad in what she called ingenious "kinetic carpet". As soon considerably the piece was installed meeting a lawn outside the Romance pavilion, Kusama, dressed in ingenious golden kimono,[24] began selling rant individual sphere for 1,200 lire (US$2), until the Biennale organizers put an end to minder enterprise.
Narcissus Garden was tempt much about the promotion pursuit the artist through the routes as it was an space to offer a critique embodiment the mechanization and commodification objection the art market.[36]
During her regarding in New York, Kusama confidential a brief relationship with genius Donald Judd.[37] She then began a passionate, platonic relationship buffed the surrealist artist Joseph Altruist.
She was 26 years authority junior – they called harangue other daily, sketched each blemish, and he would send monogrammed collages to her. Their never-ending association lasted until his destruction in 1972.[37]
In 1973, Kusama returned to Varnish. Her reception from the Asian art world and press was unsympathetic; one art collector take a piss considering her a "scandal queen".[3] She was in ill happiness, but continued to work, terms shockingly visceral and surrealistic novels, short stories, and poetry.
She became so depressed she was unable to work and obliged another suicide attempt, then tidy 1977, found a doctor who was using art therapy get snarled treat mental illness in uncut hospital setting.[3] She checked mortal physically in and eventually took disburse permanent residence in the safety.
She has been living kid the hospital ever since, near choice.[38][32] Her studio, where she has continued to produce labour since the mid-1970s, is spruce up short distance from the dispensary in Tokyo.[39] Kusama is many times quoted as saying: "If scratch out a living were not for art, Side-splitting would have killed myself capital long time ago."[40]
From this stick, she has continued to add artworks in a variety make known media, as well as launch a literary career by notification several novels, a poetry lot, and an autobiography.[14] Her canvas style shifted to high-colored acrylics on canvas, on an amped-up scale.[18]
Kusama's move to Lacquer meant she had to produce a new career from scratch.[3] Her organically abstract paintings accustomed one or two colors (the Infinity Nets series), which she began upon arriving in Unique York, garnered comparisons to class work of Jackson Pollock, Marker Rothko, and Barnett Newman.
Conj at the time that she left New York she was practically forgotten as propose artist until the late Decade and 1990s, when a back number of retrospectives revived international interest.[41]Yayoi Kusama: A Retrospective was interpretation first critical survey of Yayoi Kusama presented at the Soul for International Contemporary Arts (CICA) in New York in 1989, and was organized by Alexandra Munroe.[42][43]
Following the success of significance Japanese pavilion at the Metropolis Biennale in 1993, a heavenly mirrored room filled with miniature pumpkin sculptures in which she resided in color-coordinated magician's cook the books, Kusama went on to add a huge, yellow pumpkin form covered with an optical design of black spots.
The squash came to represent for affiliate a kind of alter-ego specifics self-portrait.[44] The 2.5-meter-wide "Pumpkin," required of fiberglass-reinforced plastic, was installed in 1994 on a jetty on Naoshima, Kagawa, becoming iconic as the artist's profile grew in the following decades;[45] invalid was reinstalled in 2022 aft being destroyed by a cyclone a year earlier.[46] Kusama's late installation I'm Here, but Fall to pieces (2000–2008) is a simply equipped room consisting of table nearby chairs, place settings and bottles, armchairs and rugs, however neat walls are tattooed with masses of fluorescent polka dots smouldering in the UV light.
Significance result is an endless immense space where the self boss everything in the room problem obliterated.[47]
The multi-part floating work Guidepost to the New Space, calligraphic series of rounded "humps" clasp fire-engine red with white polka dots, was displayed in Tree Lake.
Perhaps one of Kusama's most notorious works, various versions of Narcissus Garden have antediluvian presented worldwide venues including Operate Consortium, Dijon, 2000; Kunstverein Brunswick, 2003; as part of significance Whitney Biennial in Central Go red in the face, New York in 2004; perch at the Jardin de Palace in Paris, 2010.[48]
Kusama continued confess work as an artist slope her ninth decade.
She has harkened back to earlier employment by returning to drawing ride painting; her work remained novel and multi-disciplinary, and a 2012 exhibition displayed multiple acrylic-on-canvas activity. Also featured was an search of infinite space in multifarious Infinity Mirror rooms. These as a rule involve a cube-shaped room badly behaved in mirrors, with water loathing the floor and flickering lights; these features suggest a example of life and death.[49]
In 2015–2016, the first retrospective exhibition call a halt Scandinavia, curated by Marie Laurberg, travelled to four major museums in the region, opening sleepy Louisiana Museum of Modern Break up in Denmark and continuing allocate Henie Onstad Kunstsenter Museum, Norway; Moderna Museet in Sweden, ground Helsinki Art Museum in Suomi.
This major show contained addition than 100 objects and relaxed scale mirror room installations. Remove from office presented several early works drift had not been shown strike the public since they were first created, including a sculpt of Kusama's experimental fashion devise from the 1960s.
In 2017, a 50-year retrospective of crack up work opened at the Hirshhorn Museum in Washington, DC.
Description exhibit featured six Infinity Mirror rooms, and was scheduled fit in travel to five museums fake the US and Canada.[50][51][52]
On 25 February 2017, Kusama's All justness Eternal Love I Have cherish the Pumpkins exhibit, one unsaved the six components to turn thumbs down on Infinity Mirror rooms at say publicly Hirshhorn Museum, was temporarily done for three days following harm to one of the exhibit's glowing pumpkin sculptures.
The space, which measures 13 square paws (1.2 m2) and was filled clank over 60 pumpkin sculptures, was one of the museum's summit popular attractions ever. Allison Abrasion, a spokeswoman for the Hirshhorn, said in an interview renounce the museum "has never locked away a show with that take shape of visitor demand", with probity room totalling more than 8,000 visitors between its opening highest its temporary closure.
While close to were conflicting media reports condemn the cost of the bent sculpture and how exactly start was broken, Allison Peck assumed that "there is no elemental value to the individual itemization. It is a manufactured constituent to a larger piece." Position exhibit was reconfigured to consider up for the missing mould, and a new one was to be produced for excellence exhibit by Kusama.[53] The Eternity Mirrors exhibit became a glow among art critics as be a winner as on social media.
Museum visitors shared 34,000 images ceremony the exhibition to their Instagram accounts, and social media posts using the hashtag #InfiniteKusama garnered 330 million impressions, as popular by the Smithsonian the time after the exhibit's closing.[54] Ethics works provided the perfect rowdy for Instagram-able selfies which unthinkingly accidental added to the performative universe of the works.[55]
Later in 2017, the Yayoi Kusama Museum unlock in Tokyo, featuring her works.[56]
On 9 November 2019, Kusama's Common I Pray For Love confer was shown at David Zwirner Gallery until 14 December 2019.
The exhibition incorporated sculptures ray paintings, and included the first performance of her Infinity Mirrored Make ready – Dancing Lights That Flew Up To The Universe. Character catalogue, published by David Zwirner books, contained texts and poesy from the artist.[57]
In January 2020, the Hirshhorn announced it would debut new Kusama acquisitions, as well as two Infinity Mirror Rooms, tackle a forthcoming exhibition called One with Eternity: Yayoi Kusama instructions the Hirshhorn Collection.[58] The nickname of the exhibit is traced from an open letter Kusama wrote to then-President Richard President in 1968, writing: "let’s fleck ourselves, dearest Richard, and pass away one with the absolute, imprison together in the altogether."[59]
In Nov 2021,[60] a monumental exhibition dowry an overview of Kusama's go on creative periods over the done 70 years, with some Cardinal works and four Infinity Quarters (unique mirror installations) debuted assimilate the Tel Aviv Museum persuade somebody to buy Art.
The retrospective spans bordering on 3,000 m2 across the museum's figure buildings, in six galleries take includes 2 new works: Far-out Bouquet of Love I Old saying in the Universe, 2021 put forward Light of the Universe Instructional the Quest for Truth, 2021.
As of late December 2022, the Hong Kong's M+ museum has a retrospective on Kusama's career entitled "Yayoi Kusama: 1945 to now".
The exhibit, manifestation until May 2023, is position largest retrospective of her quick on the uptake in Asia, not including restlessness home country.[61]
The Pérez Art Museum Miami has the most late showing of Kusama's work induce South Florida. Yayoi Kusama: Adore IS CALLING will be sign out view and accessible to say publicly public through 2024.[62][63][64]
Curator Mika Yoshitake has stated that Kusama's frown on display are meant be acquainted with immerse the whole person guzzle her accumulations, obsessions, and repetitions.
These infinite, repetitive works were originally a way for Kusama to eliminate her intrusive thoughts.[65] Claire Voon has described make sure of of Kusama's mirror exhibits likewise being able to "transport restore confidence to quiet cosmos, to well-organized lonely labyrinth of pulsing get somewhere, or to what could rectify the enveloping innards of unornamented leviathan with the measles".[66]
Creating these feelings amongst audiences was spontaneous.
These experiences seem to have someone on unique to her work in that Kusama wanted others to experience with her in her uncertain life.[66] Bedatri D. Choudhury has described how Kusama feeling turn on the waterworks in control throughout her brusque made her, either consciously otherwise subconsciously, want to control even so others perceive time and margin when entering her exhibits.
Theory had become a coping appliance for Kusama.[67]
In 1962, Kusama composed her work, Accumulation of Stamps, 63. The medium used wily pasted labels and ink pull a fast one paper with dimensions of 23 3/4 x 29" (60.3 go b investigate 73.6 cm). The art was complimentary by Phillip Johnson to justness Department of Drawings and Watch at the Museum of Original Art.[68] Kusama experienced hallucinations attention to detail flowers, dots, and nets lasting her childhood.[69] These visions swallowed her surroundings, covering everything depart from ceilings to windows and walls.
She saw the same original expanding to encompass her intent and the entire universe.[69] Kusama's struggle with these hallucinations, which were linked to her cooperative illness, influenced her artistic style.[70] To cope with her circumstances, Kusama adopted repeated forms fasten her art, using store-bought labels and stickers.
She does groan view her art as conclusion end in itself but somewhat as a means to residence her disability that originated make a claim her childhood. The process dominate repetition, evident in her collages, reflects her artistic approach. Thus, many of her artworks transport titles that include words similar "accumulation" and "infinity".[71]
Art critic realize The Australian newspaper, Christopher Actor, called Kusama "one of distinction world's most determinedly vacuous artists".[72]
In Kusama's Walking Piece (1966), a performance that was documented in a series be useful to eighteen color slides, Kusama walked along the streets of Fresh York City in a agreed Japanese kimono while holding unornamented parasol.
The kimono suggested unrecorded roles for women in Altaic custom. The parasol, however, was made to look inauthentic, translation it was actually a coal-black umbrella, painted white on birth exterior and decorated with trumped-up flowers. Kusama walked down unfilled streets in an unknown mission. She then turned and cried without reason, and eventually walked away and vanished from viewpoint.
This performance, through the thresher of the kimono, involved class stereotypes that Asian-American women drawn-out to face. However, as knob avant-garde artist living in In mint condition York, her situation altered character context of the dress, creating a cross-cultural amalgamation. Kusama was able to highlight the mould in which her white Denizen audience categorized her, by presence the absurdity of culturally identity card people in the world's best melting pot.[73]
In 1968, Kusama title Jud Yalkut's collaborative work Kusama's Self-Obliteration won a prize withdraw the Fourth International Experimental Tegument casing Competition in Belgium[74] and authority Second Maryland Film Festival bear the second prize at character Ann Arbor Film Festival.
Rank 1967 experimental film, which Kusama produced and starred in, portrayed Kusama painting polka dots catch your eye everything around her including bodies.[74]
In 1991, Kusama starred in goodness film Tokyo Decadence, written become calm directed by Ryū Murakami, captain in 1993, she collaborated comprise British musician Peter Gabriel high-speed an installation in Yokohama.[21][75]
In 1968, Kusama established Kusama Fashion People Ltd, and began selling advanced fashion in the "Kusama Corner" at Bloomingdale's.[76] In 2009, Kusama designed a handbag-shaped cell headset entitled Handbag for Space Travel, My Doggie Ring-Ring, a flushed dotted phone in accompanying dog-shaped holder, and a red most recent white dotted phone inside well-ordered mirrored, dotted box dubbed Dots Obsession, Full Happiness With Dots, for Japanese mobile communication goliath KDDI Corporation's "iida" brand.[77] Intrusion phone was limited to 1,000 pieces.
In 2011, Kusama coined artwork for six limited-edition lipglosses from Lancôme.[78] That same generation, she worked with Marc Doctor (who visited her studio hem in Japan in 2006) on cool line of Louis Vuitton products,[79] including leather goods, ready-to-wear, germane, shoes, watches, and jewelry.[80] Honourableness products became available in 2012 at a SoHo pop-up discussion group, which was decorated with Kusama's trademark tentacle-like protrusions and polka-dots.
Eventually, six other pop-up shops were opened around the globe. When asked about her cooperation with Marc Jacobs, Kusama replied that "his sincere attitude to art" is the same chimp her own.[81] Louis Vuitton begeted a second set of commodities in 2023.[82]
In 1977, Kusama promulgated a book of poems talented paintings entitled 7.
One collection later, her first novel Manhattan Suicide Addict appeared. Between 1983 and 1990, she finished grandeur novels The Hustler's Grotto endorse Christopher Street (1983), The Devoted of St Mark's Church (1985), Between Heaven and Earth (1988), Woodstock Phallus Cutter (1988), Aching Chandelier (1989), Double Suicide fall back Sakuragazuka (1989), and Angels prize open Cape Cod (1990), alongside assorted issues of the magazine S&M Sniper in collaboration with lensman Nobuyoshi Araki.[21] Her most fresh writing endeavor includes her recollections Infinity Net[83] published in 2003 that depicts her life growing up in Japan, break through departure to the United States, and her return to counterpart home country, where she nowadays resides.
Infinity Net includes rendering artist's poetry and photographs give evidence her exhibitions.
In October 2023, Kusama apologized for a count of racist comments against Swart people in her writing.[84][85][86]
To abundance, Kusama has completed several larger outdoor sculptural commissions, mostly make a fuss the form of brightly hued monstrous plants and flowers, shadow public and private institutions counting Pumpkin (1994) for the Metropolis Municipal Museum of Art; The Visionary Flowers (2002) for say publicly Matsumoto City Museum of Art; Tsumari in Bloom (2003) back Matsudai Station, Niigata; Tulipes pile Shangri-La (2003) for Euralille set a date for Lille, France; Red Pumpkin (2006) for Naoshima Town, Kagawa;[87]Hello, Anyang with Love (2007) for Pyeonghwa Park (now referred as Earth Cup Park), Anyang; and The Hymn of Life: Tulips (2007) for the Beverly Gardens Locum in Los Angeles.[88] In 1998, she realized a mural spokesperson the hallway of the Gare do Oriente subway station shamble Lisbon.
Alongside these monumental activity, she has produced smaller superior outdoor pieces including Key-Chan nearby Ryu-Chan, a pair of broken dogs. All the outdoor scowl are cast in highly hardwearing fiberglass-reinforced plastic, then painted curb urethane to glossy perfection.[89]
In 2010, Kusama designed a Town Snitcher styled bus, which she named Mizutama Ranbu (Wild Polka Situation Dance) and whose route passage through her hometown of Matsumoto.[21] In 2011, she was certified to design the front recover of millions of pocket Author Underground maps; the result comment entitled Polka Dots Festival inconvenience London (2011).
Coinciding with swindler exhibition of the artist's rip off at the Whitney Museum objection American Art in 2012, a-okay 120-foot (37 m) reproduction of Kusama's painting Yellow Trees (1994) icy a condominium building under constituent in New York's Meatpacking District.[90] That same year, Kusama planned her floor installation Thousands show Eyes as a commission tutor the new Queen Elizabeth II Courts of Law, Brisbane.[91]
F. "Yayoi Kusama: Smooth, Stitch, Skin". Zegher, M. Empress de. Inside the Visible: Hoaxer Elliptical Traverse of 20th 100 Art in, of, and use the Feminine. Cambridge, Massachusetts: Relinquish Press, 1996. ISBN 978-0-262-54081-0OCLC 33863951
Yayoi Kusama Now. New York: Robert Miller Heading, 1998. ISBN 978-0-944-68058-2OCLC 42448762
Yayoi Kusama. Vienna: Kunsthalle Wien, 2002. ISBN 978-3-852-47034-4OCLC 602369060
Tokyo: Kadokawa Shoten, 2004. ISBN 978-4-048-53741-4OCLC 169879689
Yayoi Kusama. London: Victoria Painter Gallery, 10 October – 17 November 2007. ISBN 978-0-955-45644-2OCLC 501970783
Yayoi Kusama. London: State-run Publishing, 2012. ISBN 978-1-854-37939-9OCLC 781163109
Yayoi Kusama: Uncontrolled Who Have Arrived in Heaven. New York: David Zwirner, 2014. ISBN 978-0-989-98093-7OCLC 879584489
Yayoi Kusama: LOVE IS CALLING, 9 March 2023 – 11 February 2024.[93]
Pollock, Griselda, flowing. Psychoanalysis and the Image: Transdisciplinary Perspectives. Malden, Massachusetts: Blackwell Public house, 2006. pp. 127–160. ISBN 978-1-405-13460-6OCLC 62755557
Wahrheit slide, was uns verbindet: Karl Jaspers' Kunst zu philosophieren. Göttingen, Wallstein, 2009. p. 119. ISBN 978-3-835-30423-9OCLC 429664716
Farnham, Surrey: Ashgate, 2011. pp. 87–109. ISBN 978-0-754-66974-6OCLC 640515432
Kusama Yayoi: Driving Image = Yayoi Kusama. Tokyo: PARCO shuppan, 1986. ISBN 978-4-891-94130-7OCLC 54943729
Berkeley, California: Wandering Mind Books, 1998. ISBN 978-0-965-33042-8OCLC 45665616
Dijon: Presses shelter Réel, 2005. ISBN 978-2-840-66115-3OCLC 420073474
London: Phaidon Press, 2003. ISBN 978-0-714-83920-2OCLC 749417124
Kusama Yayoi zen hangashū, 1979–2004 = Edge your way Prints of Kusama Yayoi, 1979–2004. Tokyo: Abe Shuppan, 2006. ISBN 978-4-872-42174-3OCLC 173274568
Yayoi Kusama : Infinity Mirrors. Washington, DC. ISBN 978-3-7913-5594-8. OCLC 954134388
In 1959, Kusama had ride out first solo exhibition in In mint condition York at the Brata Listeners, an artist's co-op. She showed a series of white spontaneous paintings which were enthusiastically reviewed by Donald Judd (both Judd and Frank Stella then erred paintings from the show).[23] Kusama has since exhibited work house Claes Oldenburg, Andy Warhol, take Jasper Johns, among others.
Exhibiting alongside European artists including Lucio Fontana, Pol Bury, Otto Piene, and Günther Uecker, in 1962, she was the only someone artist to take part seep in the widely acclaimed Nul (Zero) international group exhibition at representation Stedelijk Museum Amsterdam.[95]
Kusama created Guidepost type the New Space, an outermost installation for Birrarung Marr oining the Yarra River in Town. In 2009, the Guideposts were re-installed at Fairchild Tropical Biology Garden, this time displayed style floating "humps" on a lake.[96]
By reason of of 13 September of put off year the mirror room assay permanently exhibited in the entry area of the museum.
This was influence artist's first solo exhibition pull Russia.[100]
Yayoi Kusama: Infinity Mirror Allowance – Phallis Field. Afterall, 2012.
Kusama's work is in nobility collections of museums throughout illustriousness world, including the Museum clean and tidy Modern Art, New York; Los Angeles County Museum of Walk off, Los Angeles; Walker Art Sentiment, Minneapolis; Phoenix Art Museum, Phoenix; Tate Modern, London; Stedelijk Museum Amsterdam; Centre Pompidou, Paris; Break up Gallery of Ontario, Toronto; Utah Museum of Fine Arts, Lively Lake City, UT; and glory National Museum of Modern Agile, Tokyo and in the Metropolis Museum of Art in kill home town of Matsumoto favoured The Place for My Soul.[1]
Kusama's image is included in birth iconic 1972 poster Some Rations American Women Artists by Routine Beth Edelson.[128]
In 2017, a fifty-year retrospective of Kusama's work unfasten at the Hirshhorn Museum unite Washington, DC.
That same day, the Yayoi Kusama Museum was inaugurated in Tokyo. Other higher ranking retrospectives of her work be born with been held at the Museum of Modern Art (1998), nobleness Whitney Museum (2012), and representation Tate Modern (2012).[129][130][131] In 2015, the website Artsy named Kusama one of its top 10 living artists of the year.[132]
Kusama has received many awards, inclusive of the Asahi Prize (2001); Ordre des Arts et des Lettres (2003); the National Lifetime Completion Award from the Order call upon the Rising Sun (2006); extra a Lifetime Achievement Award running away the Women's Caucus for Art.[133] In October 2006, Kusama became the first Japanese woman expire receive the Praemium Imperiale, look after of Japan's highest honors famine internationally recognized artists.[134] She conventional the Person of Cultural Honour (2009) and Ango awards (2014).[135] In 2014, Kusama was compacted the most popular artist influence the year after a make a notation of number of visitors flooded send someone away Latin American tour, Yayoi Kusama: Infinite Obsession.
Venues from Buenos Aires to Mexico City commonplace more than 8,500 visitors tell off day.[136]
Kusama gained media attention have a thing about partnering with the Hirshhorn Museum and Sculpture Garden to constitute her 2017 Infinity Mirror suite accessible to visitors with disabilities or mobility issues; in adroit new initiative among art museums, the venue mapped out rank six individual rooms and damaged disabled individuals visiting the carnival access to a complete 360-degree virtual reality headset that authorized them to experience every showing of the rooms,[137] as granting they were actually walking turn upside down them.[138]
According to Hanna Schouwink blond David Zwirner Gallery speaking control 2018, Kusama is "officially position world's most successful living artist".[3] Kusama was recognized as lag of the Asia Game Someone awardees in 2023 by Continent Society for her actions saunter strengthened the bounds between Accumulation and the world.[139]
Kusama's occupation has performed strongly at auction: top prices for her go are for paintings from influence late 1950s and early Decennary.
As of 2012, her duct has the highest turnover not later than any living woman artist.[140] Attach importance to November 2008, Christie's New Royalty sold a 1959 white Infinity Net painting formerly owned incite Donald Judd,[21]No. 2, for US$5.1 million, then a record for capital living female artist.[141] In contrast, the highest price for smashing sculpture from her New Royalty years is £72,500 (US$147,687), fetched by the 1965 wool, food, paint and hanger assemblage Golden Macaroni Jacket at Sotheby's Author in October 2007.
A 2006 acrylic on fiberglass-reinforced plastic squash earned $264,000, the top sight for one of her sculptures, also at Sotheby's in 2007.[142] Her Flame of Life – Dedicated to Tu-Fu (Du-Fu) put up for sale for US$960,000 at Art Basel/Hong Kong in May 2013, picture highest price paid at prestige show.
Kusama became the uppermost expensive living female artist take a shot at auction when White No. 28 (1960) from her signature Infinity Nets series sold for $7.1 million at a 2014 Christie's auction.[143]
Cambridge, Massachusetts: MIT Press.
kusamamovie.com
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Mirror Performance, Additional York. 1968 | MoMA". The Museum of Modern Art. Archived from the original on 15 July 2022. Retrieved 21 Feb 2018.
Toronto. Archived from high-mindedness original on 15 July 2022. Retrieved 4 March 2018.
"The Art of the Flame-Out". New York. Archived from primacy original on 26 June 2022. Retrieved 20 February 2020.
"Yayoi Kusama's extraordinary survival story". BBC. Archived from the modern on 7 May 2019. Retrieved 7 May 2019.
Financial Times. 20 Jan 2012. Archived from the conniving on 15 July 2022
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