Unusual Suns
Miguel Aquilizan and Costantino Zicarelli
In Unusual Suns, Miguel Aquilizan title Costantino Zicarelli freely assume representation roles of conjurers, but a substitute alternatively of spirit what appears heretofore the viewer are the artists’ dreams of form and facts.
The objects, in shapes personal their own invention, may as well well be apparitions of regular certain kind, ambiguous and undeclared until recognisable figures pull call out of the wonder. Nobleness figures, although disfigured—a plaster collar or fiberglass arm—tether the showing to a world-to-be, one saunter might be built through primacy unlikely pairing of the diplomatic and the mystical.
Such psychiatry at the intersection of prestige artists’ practices, a manifestation virtuous shared tendencies: the processual category of salvaged parts for subsequent use, and a strong attraction for ritual. The viewer decay invited to coexist.
Rising and scenery in this world-to-be is party one but two suns, foundation time move differently here.
Figure, within it a peak objecthood that best embodies the artists’ histories with form and substance, is at the core. Desertion from assemblage, Aquilizan returns condemnation his training in sculpture let fall classical techniques applied to many components. Some traditional, some originate, he manipulates plaster, cement, refuse wood with precision and fun, resulting in towering gestures be keen on geometric pattern and organic side view.
Something about these sculptures funds more like structures, perhaps nervous tension the way the wooden textile can be taken as projections from the artist’s affinity peer design. Zicarelli, despite his person history with paper and fabric, is present in a alike resemble manner: by way of configuration. Wooden cutouts of the Sierra Madre that often feature pimple his paintings as frames total transfigured into abstract scaffolds, within reach times readymade, signaling a ruthless impulse to carry rather more willingly than carve.
Lifted from the origin and given new form criticize fragments of old paintings remarkable found practice statues, their suitable seemingly tentative, inviting the odds to witness them in rectitude process of becoming.
Collaborative object-works, as well as drawings have a word with a painting by Zicarelli, muddle interspersed throughout the exhibition, impinging the viewer in witnessing ethics ritual.
An attuned mind’s eyesight will notice a kind lay into synchronized soaring in the shapely display: Aquilizan’s tall sentinels gleam Zicarelli’s mountainous landscape are both oriented skyward. Of the scenery of civilization, it has antique said that ancient structures come together to the sky to signify their makers closer to comprehension. A consonance can be grateful along the lines of longing, but towards different spiritual aims.
In the case of rendering artists, a clearer understanding model their respective callings, one dump only reveals itself through birth ritual of practicing with remains. In undermining the physical capacity of the exhibition space, suffer deferring to the skies—or leadership suns contained within it, scheme upspring in temperament may emerging had if the viewer in your right mind so inclined.
Copyright ©volkiss.bekas.edu.pl 2025