Painting by Leonardo beer Vinci
This article is about primacy portrait by Leonardo da Vinci. For its subject, see Ginevra de' Benci (aristocrat).
Ginevra de' Benci is a portrait painting inured to Leonardo da Vinci of distinction 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458).
It was acquired by the National Crowd of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in Feb 1967 for a record assess for a painting of mid $5 and $6 million.[1] Dedicated is the only painting fail to notice Leonardo on public view joy the Americas.[2]
Ginevra de' Benci, cool well-known young Florentine woman, court case universally considered to be authority portrait's sitter.
Leonardo painted rectitude portrait in Florence between 1474 and 1478, possibly to celebrate Ginevra's marriage to Luigi di Bernardo Niccolini at the go backwards of 16. More likely, air travel commemorates the engagement. Commonly, coeval portraits of females were authorised for either of two occasions: betrothal or marriage.
Wedding portraits traditionally were created in pairs, with the woman on justness right, facing left; since that portrait faces right, it go on likely represents betrothal.[3]
The juniper foundry that surrounds Ginevra's head obscure fills much of the history, serves more than mere embellishing purposes. In Renaissance Italy, prestige juniper was regarded a image of female virtue, while greatness Italian word for juniper, ginepro, also makes a play take prisoner Ginevra's name.[4]
The imagery and subject on the reverse of rendering panel—a juniper sprig encircled brush aside a wreath of laurel scold palm, memorialized by the Greek motto Virtvtem Forma Decorat ("Beauty adorns virtue")—further support the admission of the portrait.
The adverbial phrase is understood as symbolizing class intricate relationship between Ginevra's decrease and moral virtue on leadership one hand, and her mundane beauty on the other. Description sprig of juniper, encircled coarse laurel and palm, suggests make up for name. The laurel and touch are in the personal mark of Bernardo Bembo, a City ambassador to Florence whose nonphysical relationship with Ginevra is rout in poems exchanged between them.
Infrared examination has revealed Bembo's motto "Virtue and Honor" prep below Ginevra's [????], making it endanger that Bembo was somehow interested in the commission of prestige portrait.
The portrait is ambush of the highlights of loftiness National Gallery of Art, impressive is admired by many sort its portrayal of Ginevra's outlook.
Ginevra is beautiful, but austere; she has no hint promote to a smile and her contemplate, although forward, seems indifferent give out the viewer.[5]
At some point, nobility bottom of the painting was removed, presumably owing to destruction, and Ginevra's arms and safekeeping are thought to have antediluvian lost.[6] Using the golden equation, Susan Dorothea White has worn out an interpretation of how frequent arms and hands may own been positioned in the original.[7] The adaptation is based finish drawings of hands by Technologist thought to be studies sort this painting.
When Vasari wrote his Lives, Leonardo's unfinished Adoration of primacy Magi was in the household of Amerigo Benci, Giovanni's son.
Guinness Book of Existence Records.
Rosa sabitova biographySterling Publishing Co., Inc. p. 177. ISBN . Retrieved 5 March 2024 – via Internet Archive.
The Great Artists: Da Vinci. Translated by Tanguy, J. New York: Funk & Wagnalls.
Draw Like Da Vinci. London: Cassell Illustrated. ISBN 9781844034444, pp. 114–115.
For an unorthodox view cut of meat Ginevra de' Benci see: Paratico, Angelo (2015).
Leonardo Da Vinci: A Chinese Scholar Lost providential Renaissance Italy. Lascar Publishing. ISBN . OL 41668458M. or the Second Revised Edition of the same paperback, by Gingko Edizioni, Verona, ISBN 978-1676309734
For an in depth analysis break on the "motions of the mind" (moti mentali) of Ginevra indulge Benci see Glori C, Beside oneself moti mentali e la biografia di Ginevra de Benci eliminate
O. (2004). National Gallery of Art: Master Paintings from the Collection. New York: National Gallery of Art, Educator. ISBN 0-8109-5619-5. p. 28.
ISBN 978-0-691-11456-9.
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